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Contents
Example 1.1a | Example 1.1b | Example 1.2 | Example 1.3 | Example 1.4 | Example 1.5a | Example 1.5b | Example 1.6 | Example 1.7 | Example 1.8 | Example 1.9a | Example 1.9b | Example 1.9c | Example 1.10 | Example 1.11a | Example 1.11b | Table 1.2
Example 1.1


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Example 1.2

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Example 1.3
RH7, mm. 3?20. The upper stave represents the basic ?widely arched? melody, broken down into numerous self-enclosed and highly ornamented phrases.
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Example 1.4

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Example 1.5
Two excerpts from the ?Wallachian Melody? in MRh20:


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Example 1.6

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Example 1.7

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Example 1.8
Three tonal readings of example 1.7
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Example 1.9
Dissonances and drone-based harmonization derived from verbunkos in:

(primo and secondo parts reduced to single staves);


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Example 1.10
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Example 1.11
Keyboard-based polychordal effects in RH10:


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Table 1.2
Liszt?s ?folkloristic? [verbunkos-related] scales according to Lajos B?rdos (1968). The terms and abbreviations used in this book are presented in the two left columns and scales common in Liszt?s oeuvre are marked with an asterisk.



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