Chapter 3: Identity, Nationalism, and Modernism

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Contents

Figure 3.1 | Example 3.1 | Example 3.2 | Example 3.3 | Example 3.4 | Example 3.5 | Table 3.1 | Table 3.2 | Table 3.3

Figure 3.1

Mikl?s Barab?s: Liszt Ferenc (1846?47). ? Hungarian National Museum. Reproduced with Permission.

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Example 3.1

Verbunkos cadences (shown in square brackets) in Liszt?s Polonaise m?lancolique, mm. 16?20

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Example 3.2

Die Legende von der heiligen Elisabeth, First Part No. 1 (Arrival of St. Elizabeth at the Wartburg), mm. 150?65 (reduction)

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Example 3.3

The piano soloist, leading the orchestra in triumph to a higher tonal plane, in Liszt?s Fantasie ?ber ungarische Volksmelodien, mm. 460?82.

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Example 3.4

Die Drei Zigeuner, mm. 87?100

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Example 3.5

F?nf ungarische Volkslieder, No. 5, mm. 22?33 (conclusion)

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Table 3.1

Works in chronological order, based on G?rdonyi (1936). Abbreviations: P = piano, SP = Symphonic Poem

 

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Table 3.2

More works with a notable verbunkos idiom, not included in G?rdonyi?s survey

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